Anna Clark and her daughter Huguette inherited a huge fortune in money and real estate from William Andrews Clark. After the death of her mother, Huguette maintained opulent residences in several states, but she spent virtually none of her later life outside her luxury apartment in New York City. This inspired the book Empty Mansions, a biography of Huguette’s long and strange life as a wealthy heiress.
An interesting fact about Bellosguardo is that between 1936 and 1953, Huguette and her mother Anna never spent more than one month out of the year at the Santa Barbara, California mansion. After 1953, over the last 50-plus years of her life, Huguette never returned to Bellosguardo, but also refused to sell or give up the mansion.
Huguette married Bill Gower in 1928 at Bellosguardo in a private ceremony. While they were together, the couple lived in New York rather than Bellosguardo. Unfortunately, marriage was unsuitable for Huguette and she divorced Gower within two years. Huguette would not marry again, choosing instead to live with her mother Anna.
Huguette and Anna engaged in social activities with close friends, but they avoided extravagant nights on the town and throwing gaudy parties at Bellosguardo.
Mother and daughter were content to enjoy quiet activities in their spacious, comfortable mansion. For Huguette, one passion was painting. She had been trained in New York by the famous Polish painter Tade Styka. In the Bellosguardo mansion she had an immense art studio that included a kitchenette and a private stairway leading to her upstairs bedroom. Huguette also took pleasure in photography, reading and collecting dolls. Spending much time in her childhood living and traveling in Europe, Huguette developed a fascination with European and Japanese royalty, and it occupied a good deal of her reading and traveling.
Anna and Huguette were both accomplished musicians and the mansion included a spectacular music room furnished with two grand pianos. Besides the piano, Huguette also played an exquisite Stradivarius violin and Anna played a gilded harp. The two also enjoyed hosting intimate musical performances at the mansion.
Because it was empty most of the time, except for servants, the interior of the Bellosguardo mansion has been preserved in its original state since its completion and furnishing in the 1930s. Although Anna and Huguette spent very little time at the mansion, they made sure that the grounds and the furnishings were meticulously maintained.
In the later years of her life when she was in failing health and had no intention of returning to Bellosguardo, Huguette continued to insist that everything be kept just as it was on her last visit.
To see the Bellosguardo mansion today in Santa Barbara, California, you must sign up and pay for a small group tour arranged by the Bellosguardo Foundation (www.bellosguardo.org). The Foundation unfortunately was not funded by Huguette’s estate but is operated by local staff and volunteers who work to raise the funds necessary to maintain Bellosguardo as Huguette would have wanted. The grounds of Bellosguardo can be rented for events and occasional music concerts are held there.
While on the tour, visitors are allowed to take photos outside the mansion but are forbidden from photographing any of the interior. The furniture, carpeting and household equipment such as telephones have indeed been well-preserved. It in some ways reminds one of a museum. The many painted portraits in the halls and rooms resemble a small art gallery. It is notable that the subjects of the art reflect what was most important to William Andrews Clark: himself, his wife Anna and his two youngest daughters.
William Andrews Clark and his second family (Anna & Huguette) never lived in or had direct influence on the Arizona town that bears his name, but much of Clarkdale’s history is a product of Clark’s wealth and ambition. In a similar way, Huguette Clark’s fortune and personality has shaped the scenic estate of Bellosguardo on the California coast into a small but interesting piece of history.
submitted by Nathan Porter
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